Pierre-Auguste Renoir’s "Portrait de femme – Berthe Poret" and the 2001 Edmonton Exhibition
- Caterina Piccardo
- 24 hours ago
- 2 min read

The Provincial Museum of Alberta, today known as the Royal Alberta Museum, has long played an important role in presenting significant cultural and artistic exhibitions to the public. As one of Canada’s leading museums, the institution has served as a bridge between international artistic heritage and North American audiences, regularly hosting exhibitions that introduce visitors to important works from European and global collections. Through its commitment to education, scholarship, and cultural exchange, the museum has helped bring masterpieces and historically significant artworks to audiences who might otherwise encounter them only in major international museums or private collections.
In the summer of 2001, the museum hosted a notable international exhibition titled “Edouard Cortès (1882–1969): Paris and the French Countryside Revealed.” The exhibition was presented in Edmonton, Canada, from June 9 to September 3, 2001, and focused on the work of the French painter Edouard Léon Cortès, whose atmospheric depictions of Parisian boulevards, theaters, markets, and rural landscapes captured the charm and poetry of early twentieth-century France.
The project was in partnership with Simic Galleries, under the direction of Mr. Rami Ron, and with the collaboration of Emmanuel Renoir, the great-grandson of the renowned Impressionist painter Pierre-Auguste Renoir.
His involvement added a unique historical dimension to the exhibition and reinforced the connection between the works presented and the legacy of one of the most influential artists in the history of French painting.
While the exhibition primarily celebrated the paintings of Edouard Cortès, it also included selected works by other artists whose depictions of Paris and French life helped shape the artistic tradition that Cortès continued. Among these additional works was an important early painting by Pierre-Auguste Renoir titled Portrait de femme – Berthe Poret from the collection of Mr.Ron. Painted around 1862–1863, the portrait represents one of the earliest surviving works by Renoir and offers a rare glimpse into the formative years of the young artist before he became one of the founders of the Impressionist movement.
The sitter, Berthe Poret, was a young woman living in Paris during the early 1860s and is believed to have been personally acquainted with Renoir during this formative period in his life.

The inclusion of Portrait de femme – Berthe Poret in the Edmonton exhibition added an important historical dimension to the presentation. By bringing together the atmospheric cityscapes and rural scenes of Edouard Cortès with an early portrait by Pierre-Auguste Renoir, the exhibition connected different generations of French artists and highlighted the artistic heritage of Paris that inspired them both. For visitors and collectors, the presence of this rare early Renoir offered a unique opportunity to encounter a work that represents the beginning of the artistic journey of one of the most celebrated painters in modern art history. The successful collaboration between the Provincial Museum of Alberta, international organizers, and participants including Mr. Rami Ron and Emmanuel Renoir ultimately contributed to an exhibition that not only celebrated the beauty of French painting but also reinforced the enduring cultural dialogue between European art and audiences around the world.





Comments